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The Recruiting Officer

Enlist in the sportsmen’s thousand!

Tickets now available from Tuggeranong Arts Centre on 02 6293 1443. Adults: $24, Concession: $18, Group: $18.

Group price valid for bookings of 10 or more people.

Synopsis

Captain Plume has arrived in Shrewsbury to recruit for Her Majesty’s army. His methods may not focus on the glory and heroism of war, but his results speak for themselves, even if he has accidentally recruited for the army the woman he sought to woo for himself.

Performances

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21st June, 9:00am Tuggeranong Arts Centre
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22nd June, 9:00am Tuggeranong Arts Centre
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23rd June, 9:00am Tuggeranong Arts Centre
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28th June, 9:00am Tuggeranong Arts Centre
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29th June, 2:00am Tuggeranong Arts Centre
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29th June, 9:00am Tuggeranong Arts Centre
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30th June, 2:00am Tuggeranong Arts Centre
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30th June, 9:00am Tuggeranong Arts Centre

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Costumes on ebay

Posted by Amy Chilver, 21st June '07
Selected costumes from our current production of The Recruiting Officer have been listed for sale on ebay! This is your opportunity to take home a piece of the show to own forever! The elegant costumes worn on stage in were hand made by the uber-talented Cerri McLean. They have been made to withstand the rigours of stage life, and will serve just about any purpose you have in mind.
The auctions have begun! To bid on the officers' redcoats, click here. To bid on Silvia's hunting dress, click here. The auctions close on Sunday 22 July. Of course, you will probably want to come and see them first, so call the Arts Centre and book your tickets on 6293 1443!

The Recruiting Officer is set to open tonight! Get along to the Tuggeranong Arts Centre to rub shoulders with a great audience at the opening night of this hilarious romp through eighteenth century Shropshire! Tickets are available at the door, but you may want to ring the Arts Centre to make your booking on 6293 1443.

Comments

  Page 1 of 1

trevar says...

12:12am on 11th June '07
Due to technical difficulties with the website, a great deal of information has been lost, and manually restored. If you notice any problems with the information on this site, please contact Amy Chilver at achilver@canberradramatics.org.au.
  Page 1 of 1  

Director's Notes

The War of Spanish Succession 
The War of Spanish Succession was a most interesting interlude in European history. When the Spanish king died, all the kings, emperors, and princes of the continent had been arguing for ten years about who would succeed him. When Philip, who was the grandson of the French king, was crowned, the Italian Emperor and the English King got together over a pint and decided to pop their respective armies into France for a good old stoush. Strangely enough, no one needed evidence of weapons of mass destruction back then, either. Unfortunately, King William only got to see a little of the barney, because he dropped off the twig before he even got his sword dirty, and left it to his successor, Queen Anne, to take care of the biff.  
 
The Recruitment Drive 
Annie got her gun, as it were, and so the whole of Europe got on with what turned out to be a lovely war. That is, until the British had to go and spoil it all by winning the Battle of Blenheim. By this time, half of the French royal family was dead, as was half of the British army. So recruiting officers were sent into the deepest recesses of darkest England to seek out more young men to be staked to death on French bayonets. This, of course, is where George Farquhar comes in. 
Farquhar, having married under the misapprehension of his fiancée’s wealth, was desperate for money, and found himself recruiting in the dales of Shropshire. How much of The Recruiting Officer is based on his actual experiences in this county on the Welsh border, we can only guess, but we do know that this play is political satire at its best. 
 
Production History 
The Recruiting Officer hit the boards of London's Theatre Royal, Drury Lane on the 8th of April 1706, just over 301 years ago. The Biographica Dramatica cites a particular performance of this production in which the actor playing Justice Balance had too much to drink before going on and set the leading lady right off course. 
While it is well-known that The Recruiting Officer was the first drama of the Western tradition performed in the fledgling colony of New South Wales in 1789, it is not so well known that it was also the first drama to be professionally produced in the colony of New York in 1732, or indeed anywhere in the Americas. It was on the 4th of June 1789 that the play was performed in Sydney to mark the birthday of King George III, and was no less plagued by dramas than our production. The leading lady was facing the gallows, which is, I suppose, far more substantial a hindrance to a great performance than anything we have faced. It seems that productions of The Recruiting Officer have more reason to strike fear into the producer's heart than productions of The Scottish Play, and it is my intention henceforth to refer to this as The Shropshire Play. 
 
On This Production 
I was attracted to this play and wanted to direct it because of its intense paradoxes. The notion that such a serious theme could be explored in such a light-hearted manner is appealing, but more than that, I am intrigued by the paradox of this 301-year old play (from an age in which war was accepted as a part of life) adopting an anti-war stance. Its scathing commentary on England's involvement in such an idiotic war echoes the tune we’ve been hearing for the last six years. The more we feel threatened, the more we retreat into the familiar, like a pair of old jeans (have you noticed how old-looking jeans have become fashionable again since 9/11?). Just as the political climate heated up at the turn of the eighteenth century, so it heated up at the beginning of the twenty-first; but three hundred years later the bombs are a little bigger, the battlefields more broad, and the rhetoric more complicated. There is a lot to be afraid of, and so, here is a play to remind us that humanity has come through more absurd times relatively unscathed. Perhaps this age of idiocy won’t last much longer...

Cast

userCaptain Plume...
userSergeant Kite...
userSilvia...
userMr. Worthy...
userMelinda...
userLucy...
Michelle Moule
userCaptain Brazen...
userMr. Balance...
Hugh Stevenson
userMr. Scale...
userRose...
Serena Broso
userCostar Pearmain...
Steven Robert
userThomas Appletree...
userSmith...
userConstable...
Steven Robert
userWife...
userServant...

Crew

user_suitProducer...
user_suitDirector...
user_suitStage Manager...
Nina Stevenson
user_suitFront of House Manager...
user_suitLighting Design...
user_suitSet Design...
Imogen Wall
user_suitCostume Design...
user_blackLighting Operator...
Sarah Elkins
user_blackMakeup/Wardrobe...
To Be Announced

Events Calendar

No events listed for this production.